| Altman, R. (1992). Afterword: A baker's dozen terms for sound analysis. In R. Altman (Ed.), Sound Theory Sound Practice (pp. 249–253). New York: Routledge. |
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| Added by: Mark Grimshaw 04 Nov 2004 11:57:41 UTC |
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| Altman, R. (1992). General introduction: Cinema as event. In R. Altman (Ed.), Sound Theory Sound Practice (pp. 1–14). New York: Routledge. |
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| Last edited by: Mark Grimshaw 18 Apr 2005 16:26:08 UTC |
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| Altman, R. (1992). Introduction: Four and a half film fallacies. In R. Altman (Ed.), Sound Theory Sound Practice (pp. 35–45). New York: Routledge. |
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| Added by: Mark Grimshaw 29 Sep 2005 12:47:20 UTC |
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| Altman, R. (1992). Introduction: Sound/history. In R. Altman (Ed.), Sound Theory Sound Practice (pp. 113–125). New York: Routledge. |
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| Added by: Mark Grimshaw 26 Oct 2004 11:56:38 UTC |
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| Altman, R. (1992). Introduction: Sound's dark corners. In R. Altman (Ed.), Sound Theory Sound Practice (pp. 171–177). New York: Routledge. |
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| Last edited by: Mark Grimshaw 27 Jan 2006 09:51:32 UTC |
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| Altman, R. (1992). The material heterogeneity of recorded sound. In R. Altman (Ed.), Sound Theory Sound Practice (pp. 15–31). New York: Routledge. |
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| Last edited by: Wikindx Test Drive 31 Jul 2008 15:31:47 UTC |
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| Altman, R. 2008, July 26—August 1Sarlozy in the economist. The Economist, 388, |
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| Added by: Bruce B Whitehead 27 Jul 2008 17:57:44 UTC |
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| Altman, R. (1992). Sound space. In R. Altman (Ed.), Sound Theory Sound Practice (pp. 46–64). New York: Routledge. |
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| Last edited by: Wikindx Test Drive 06 Mar 2013 07:40:39 UTC |
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| Altman, R. (Ed.). (1992). Sound theory sound practice. New York: Routledge. |
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| Last edited by: Wikindx Test Drive 28 Aug 2006 08:06:44 UTC |
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| Altman, R., & Bacon, F. Sw rat: Little rat. N.Y. Anchor Books. |
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| Added by: Wikindx Test Drive 26 Mar 2008 05:52:50 UTC |
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| Anderson, M., & Altman, R. 2008, AugustThe great sources magazine. The Great Courses, 56, |
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| Last edited by: Wikindx Test Drive 23 Oct 2008 16:39:49 UTC |
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| Avlasevich, Y., Altman, R., & Adams, E. W. (Artists). Matisse. |
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| Added by: Thiago Franco 24 Oct 2007 18:29:43 UTC |
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| Belton, J. (1992). 1950s magnetic sound: The frozen revolution. In R. Altman (Ed.), Sound Theory Sound Practice (pp. 154–167). New York: Routledge. |
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| Last edited by: Mark Grimshaw 29 Mar 2007 08:32:48 UTC |
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| Chion, M. (1992). Wasted words. In R. Altman (Ed.), Sound Theory Sound Practice (pp. 104–110). New York: Routledge. |
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| Last edited by: Wikindx Test Drive 16 Mar 2007 05:21:42 UTC |
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| Curtiss, S. (1992). The sound of early Warner Bros. cartoons. In R. Altman (Ed.), Sound Theory Sound Practice (pp. 191–203). New York: Routledge. |
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| Added by: Mark Grimshaw 30 Jan 2006 07:02:57 UTC |
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| Ďurovičová, N. (1992). Translating america: The hollywood multilinguals 1929-1933. In R. Altman (Ed.), Sound Theory Sound Practice (pp. 138–153). New York: Routledge. |
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| Added by: Mark Grimshaw 26 Oct 2004 13:01:57 UTC |
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| Klimek, M. P. (1992). Imagining the sound(s) of Shakespeare: Sound and adaptation. In R. Altman (Ed.), Sound Theory Sound Practice (pp. 204–216). New York: Routledge. |
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| Added by: Mark Grimshaw 01 Nov 2004 11:44:56 UTC |
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| lastn1, F., Altman, R., & Adams, E. W. Test article: And subtitle. test. |
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| Added by: Wikindx Test Drive 26 Sep 2008 13:42:57 UTC |
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| Lastra, J. (1992). Reading, writing, and representing sound. In R. Altman (Ed.), Sound Theory Sound Practice (pp. 65–86). New York: Routledge. |
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| Last edited by: Mark Grimshaw 03 Mar 2006 14:09:52 UTC |
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| Lawrence, A. (1992). Women's voices in third world cinema. In R. Altman (Ed.), Sound Theory Sound Practice (pp. 178–190). New York: Routledge. |
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| Added by: Mark Grimshaw 27 Oct 2004 16:00:10 UTC |
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